Chekov's great tragicomic eulogy for a passing way of life is superbly adapted to make a powerful and beautifully playable drama. Plays for Performance Series.

Chekov's great tragicomic eulogy for a passing way of life is superbly adapted to make a powerful and beautifully playable drama. Plays for Performance Series.

夏尔·波德莱尔（1821-1867），法国诗人，象征主义诗歌先驱，以诗集《恶之花》成为法国古典诗歌的最后一位诗人、现代诗歌的最初一位诗人。还著有散文诗集《巴黎的忧郁》、艺术评论集《美学珍玩》、文学评论集《浪漫派的艺术》等，译有美国作家埃德加·爱伦·坡的作品。

夏尔·波德莱尔（1821-1867），法国诗人，象征主义诗歌先驱，以诗集《恶之花》成为法国古典诗歌的最后一位诗人、现代诗歌的最初一位诗人。还著有散文诗集《巴黎的忧郁》、艺术评论集《美学珍玩》、文学评论集《浪漫派的艺术》等，译有美国作家埃德加·爱伦·坡的作品。

白鲁诺（BrunoBelhoste），国际著名科学史家，法国巴黎第一大学教授、近代史研究所所长。曾任法国国家科学技术史学会理事、法国科学院拉瓦锡委员会委员，以及多种国际著名学术杂志或丛书编委。其研究主要集中于18—19世纪法国的科学发展，在数学史、工程学史、科学机构史等方面著述甚丰，包括《柯西：一位19世纪正统派的数学家》《近代科学史：从文艺复兴到启蒙运动》《智慧巴黎：启蒙时代的科学之都》等。 译者简介： 邓捷，巴黎第四大学艺术史硕士、巴黎第三大学高等翻译学院硕士。现任教于巴黎第三大学高等翻译学院，从事相关翻译工作，并定期举行法国历史、绘画方面的讲座。

Evoking modern physics and antique metaphysics, Winterson's ambitiously eccentric narrative challenges her readers to rupture the boundaries of conventional perceptions and linear experience of time. Her narrative voices, alternating between a Rabelaisian giantess and her foundling son, collapse at times into one another and the characters plunge vertiginously through time and ...(展开全部)

' A book of innocence and bawdiness, fury and joy... needs to be read and re-read' —— The Times ' Read it and marvel. Jeanette Winterson's voice is startlingly original, and her imaginative feats are utterly dazzling' —— Cosmopolitan The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tense for past, present and future. The division does not exist. What ...(展开全部)

In a fantastic world that is not 17th-century England, a baby is found floating in the Thames. Rescued by the Dog Woman, a murderous gentle giant, the baby soon grows up to discover that the strangest wonders are the ones spun out of his own head. "Fuses history, fairy tale, and metafiction into a fruit . . . of a memorably startling flavor".--"New York Times Book Review".

In a fantastic world that is not 17th-century England, a baby is found floating in the Thames. Rescued by the Dog Woman, a murderous gentle giant, the baby soon grows up to discover that the strangest wonders are the ones spun out of his own head. "Fuses history, fairy tale, and metafiction into a fruit . . . of a memorably startling flavor".--"New York Times Book Review".